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Hexatonics (Inside Improvisation Series, 7) [Jerry Bergonzi] on * FREE* shipping on qualifying offers. Hexatonics, is the seventh volume of Jerry. vol.7 S:JJUJXJH L lOA S31~3S NOIIVSIAO~dWI 3alSNI IZNOH:l39 A1H:l3r.. .!:,-X 1t~)r:1L-:’ “~pter 1 D C C pter’: C C::a ;’ter 3. Jerry Bergonzi: INSIDE IMPROVISATION SERIES VOLUME 7: HEXATONICS, Paperback Book & CD Package, All Instruments, and thousands more titles.

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Jerry Bergonzi Vol 7 – Hexatonics.pdf

Natural 11 hexztonics a dominant chord is an avoid note but it sounds fine when used in passing. This can be very helpful in modal settings where there are no diatonic, cycle-forth root movements or resolutions and where each chord change may last bergonnzi long time for instance, four, eight, or sixteen measures ” Bergonzi’s book is very well thought out and structured to be very useful as a practice tool.

This book will keep me busy for a long time, it’s really the most useful music book that I’ve run across in a long time. The sixth hexatonic is two minor triads a whole step apart. What follows is a list of different melodies derived from this hexatonic scale.


Jerry Bergonzi Vol 7 –

Jerry’s book is more practical than Gary’s book. It is useful to note that chord symbols can leave a lot to be desired and may not completely capture what the composer had in mind. Jerry bergonzi vol 6 – Developing a jazz language Education.

Jerry Bergonzi Vol 3 Jazz Line Sure, only a few different ones, but they’re coming out. IT Ffq r ra G-7 7 Hexatonics in parenthesis create a higher degree of tension. On a minor 7th chord, the upper triad sounds the 9, n 1 and I still think the book is useful and pretty fun to practice with, though honestly I haven’t used it if a few months.

Jerry Bergonzi Vol 7 – Hexatonics

Serious Resources for Serious Players View my complete profile. The built on these two augmented triads follows a pattern of minor third, half step, minor third, half step, etc. G-7 7 F-7 BP” Of jerryy, improvising and using only one particular hexatonic sounds very onedimensional. Adam Roberts for help on the book. Jerry Bergonzi Vol 7 – Hexatonics Documents. There are numerous hexatonic scales.

F;IC Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes. George Russell’s ‘Lydian Chromatic Concept’. Jerry Bergonzi- Pentatonics-Vol 2 Documents. Try integrating this approach with other melodic material. Jerry has the triad pair written above the staff and the actual chord change written below it. These are the work bergozi from Jazz Harmon Have each hexatonic 1 bar,2 bars or 4 bars each.


To write it down or to give it a name, we will call it D triad over C triad. G ‘ F-7 Bi: B- jC-Try playing 8 notes of any hexatonic melody using the notes of the grid as starting note”. The book is big and just shy of pages.

Pianists often use Hexatonics by stacking triads to create unusual chord voicings. Jerry Bergonzi – Vol 2 – Pentatonics Documents. Is Berklee College of music out of your price range?

It fits well over diminished chords or dominant chords that are being played with diminished scales.